In Unison – Composition for five dancers – I aim to show how, on the one hand, that no artistic object can be separated from those who perform it, and, on the other hand, that no artistic event can truly be replicated, that they all are, in essence, unique. Five dancers, forming a predominantly-male group – four men and one woman – perform a choreography in unison. The dance composition may represent a ritual, which is an essential concept in this piece: in societies (both human and animal), the core movements, be they symbolic or functional, are ritualized, defining from the start what is normative and what deviates from the norm, defining standards and innovation, trends and counterculture. The question is: to what extent are rituals representative? Do five dancers performing ritualized movements unison on stage become one single body? Does their individuality fade? Is the viewer’s perspective formed by the harmony of the ensemble, by the specificity of each body in action, or by both?